Los Angeles Wave Newspaper

West Edition, No. 40

Thursday, October 2, 2003

 

ON DECK

 

Breakthrough

La Palabra Orquesta

Tornillo Records

 

4 Stars (out of 5)

 

A native Cuban who moved to New York and then Detroit as a teen, composer/musician

La Palabra takes the premier sounds from each locale and blends them together

on Breakthrough , creating a flowing musical masterpiece with something for lovers of every

groove from traditional salsa and cha cha, to hip-hop, Motown and pop.

 

A listening experience that offers pieces of different genres while remaining true to its Latin

roots, this second album by La Palabra’s band pulsates powerfully with Afro-Cuban rhythms,

meringue, classic jazz and soul. In the process, it breaks down musical boundaries with its

energetic and eclectic spirit.

 

La Palabra accomplishes all this with traditional instruments like the timbales

(turntable drums), the clave (wooden sticks with ridges rubbed together), and the cencerro

(a large cowbell).  One cannot exclude the trumpets, trombones and piano, all crucial salsa

ingredients. Each instrument plays it traditional role, but La Palabra successfully adds new

spices to his recipe with rhymes from emcee Remy Martin on the English version

of “Y Yo Va Pa’ Shenzhen” (I’m Going to Shenzhen”) or the deep and sexy vocals

of Morris Albert on the slow, jazzy “Feelings.” On the latter, however, La Palabra adds

a clave and some percussion, transforming the once-sullen track into a dancefloor-crowder.

 

One of the more personal moments is “Mi Nueva York,” a tribute to the city where

the composer spent his first few years in America . After the events of 9/11, La Palabra

saw one of his favorite cities transformed, leading him to write the song in tribute. It begins

like a somber ballad but quickly transforms into an upbeat and inspirational jam punctuated

by his vocals.

 

This willingness to include hip-hop, ‘80s-style pop and R&B makes Breakthrough a worthy

addition to any record collection. But it wouldn’t be the complete album it is without

La Palabra’s smooth, piercing vocals. The leader of Stevie Wonder’s Phoenix Rising project,

his delivery and vocal range rivals that of the Latin world’s best crooners.

(Kevin Herrera)